Avis Dei "Early European Dance" (SKMR-102), by Avis Dei

Avis Dei "Early European Dance" (SKMR-102)

by Avis Dei

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1.	Saltarello «La Regina» + Ductia 03:56		buy track
2.	Rondo (Tielman Susato) 02:12	info	buy track
3.	Petit Vrien 03:38		buy track
4.	Ballo Anello 01:49	info	buy track
5.	Rostiboli Jioioso 02:07		buy track
6.	La Danse de Cleves 03:08		buy track
7.	Mohrentanz (Tielman Susato 1535) 01:55		buy track
8.	Pavane «Bittre Reue» 01:46	info	buy track
9.	Pavane «Belle a qui tient ma vie» 02:14	info	buy track
10.	Gaillarde “Puis que viure en seritude” (XVI c., France) 01:50		buy track
11.	Branle Cassandra (XVI c., France) 01:39	info	buy track
12.	Branle Aridan (XVI c., France) 01:30	info	buy track
13.	Branle de la Haye (XVI c., France) 02:01		buy track
14.	Branle des Lavandières (XVI c., France) 02:12		buy track
15.	Branle de l’Official (XVI c., France) 02:59		buy track
16.	Branle de Pois (XVI c., France) 01:57		buy track
17.	Madam Sosilia's Alman (Modern, after XVIc. England) 02:29		buy track
18.	Lorayne Almain (XVI c., Flanders) 02:47		buy track
19.	Il Torneo Amoroso (XVI c., Italy) 03:39		buy track

about

Танцы старой Европы
Среди других искусств, которым эпоха Возрождения дала мощный импульс, был танец. Собственно, прежде, в Средние века, он не считался искусством, и борьба Терпсихоры за свои права продолжалась вплоть до конца 17 века. По мере того, как танец получал признание в качестве благородного, достойного и полезного занятия, все большее внимание уделялось его описанию. Появились первые нотации (записи) танцев, а затем и целые трактаты, посвященные ему. О танцах Средневековья и Раннего Возрождения известно немного. Современники не считали их чем-то достаточно важным, чтобы подробно описывать. Впрочем, до нашего времени сохранилось немало записей танцевальной музыки. И хотя имеющейся информации недостаточно для достоверного воспроизведения танцев, желание станцевать их иногда бывает сильнее. Так, на основе косвенных свидетельств, характера музыки и изображений танцующих пар был сочинен танец «La Regina». Дня него была использована музыка сальтарелло из итальянского манускрипта конца XIV века.

Early European Dance
Renaissance gave a great impetus to many arts including dance. In fact, prior to that, in the Medieval era, dance was not considered art at all, and it was not until the 17th century that it gained its rightful place in life and culture. As dance was getting recognition as a useful, noble and worthy pastime, more and more attention was paid to its description. Separate descriptions appeared first, followed by full-scale treatises.
Little is known about the dances of Middle Ages and Early Renaissance. At that time people did not consider them important enough to be given a detailed description. Still, a lot of pieces of music preserved till nowadays. And although the information we know may sometimes be insufficient to reproduce the dances exactly the way they used to be, the yearning to dance can be very strong. Thus, some indirect evidence, the tune and depiction of dancing pairs contributed to the creation of La Regina dance based on a saltarello from an Italian manuscript of late 15th century.

credits

released March 15, 2013

Светлана Солдатенкова — блокфлейты, раушпфайф, волынка шафферпфайф, перкуссия, неаполитанская мандолина
Дмитрий Шичалин — гобой, блокфлейты, английский рожок, раушпфайф
Алекcей Сафонов — цистра, гудок
Наталия Хохлова — ладнскнехттроммель, дарбука и прочая перкуссия
Мартин Няга —барочная виолончель

Svetlana Soldatenkova — recorders, raushpfayf, bagpipe shafferpfayf, percussion, neapolitan mandolin
Dmitry Shichalin — oboe, recorders, alto oboe, raushpfayf
Alekcey Safonov — cittern
Natalia Khokhlova — ladnsknehttrommel, darbuka and other percussion Martin Nyaga —baroque cello

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Sketis Music Russian Federation

Original sounds of Russian folk music, Russian world music, ancient spiritual poems, Tuvan throat singing and more on CD.

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